Canterbury Tales Prologue Essay

Canterbury Tales Prologue Essay-27
Indeed, love of the transcendent, elevating variety plays little role in this tale, as power is revealed to be the true object both men and women desire.

Indeed, love of the transcendent, elevating variety plays little role in this tale, as power is revealed to be the true object both men and women desire.

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The tales also vary, illustrating popular medieval genres: romance, fable, saint’s life, fabliau (a coarse, comic tale), exemplum (a story designed to illustrate the theme of a sermon).

Chaucer the pilgrim burlesques a type of popular romance, but his satirical purpose goes unrecognized and the Host will not allow him to finish.

The Knight averts a brawl between the Host and the Pardoner.

is fragmentary and unfinished, but Chaucer carefully concludes with the tale (actually sermon) of the good Parson, who reminds them all that they are on a pilgrimage not merely to Canterbury but to heaven.

Courtly love was one of the most pervasive themes in the literature of Chaucer’s time.

According to this conception of love, romance is an ennobling force that can raise the male lover—usually a knight—to heights of bravery in the service of his lady.

The duel ends with Arcite’s death, which leaves Palamon and Emelye despondent over the loss rather than happy that they are finally united.

While the Knight’s Tale features highly conventional players, it refuses to let the concept of courtly love exist in a vacuum.

The knight pining for the beautiful maiden fits the conventions of courtly love exactly; however, Chaucer refuses to make this a straightforward tale.

Rather than battle beasts or foreign enemies to win his lady, as we might expect, Palamon must instead fight his closest friend, Arcite.

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