Charles Dickens English Coursework

Charles Dickens English Coursework-75
Inside him burned, even then, a writer’s desire to expand upon incidents, convey a given atmosphere, give moral shape to a particular factuality. Shortly thereafter he began the first of his Pickwick pieces—”The Posthumous Papers of the Pickwick Club.” By now he was ready to marry, and to shift course as a writer.

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Too much is made, one can argue, about the protracted nature of the celebrated Jarndyce litigation.

In one enumeration, made in the well-known first chapter, Dickens does indeed mention “procrastination,” but he also mentions “trickery,” and he mentions “evasion,” and “spoliation.” He even makes reference to “botheration,” surely of interest to this proudly self-conscious age wherein the social sciences, especially psychology and psychiatry, are thought to explain so much to us.

Men, women, and children still find themselves irritated, then confounded, then outraged, and finally maddened by cases which affect them deeply, and seem to go on and on and on—maybe not for generations, as happened in , but long enough for particular children to suffer in extended custodial fights, and for particular workers and families to suffer while the responsibility for, say, dangerous environmental pollution is argued in court for months which become years.

Yet is much more than a novel that portrays the outcome of a legal impasse.

At the same time he immersed himself in his own world—reported on the workings of his mind’s imagination, its exceedingly vigorous life.

Soon enough a substantial segment of the English reading public, rich and poor and many, many in between, became familiar with the antic and sometimes soberly edifying carryings-on of Samuel Pickwick and his fellow clubsmen Nathaniel Winkle, Tracy Tupman, Augustus Snodgrass—and those they met: Alfred Jingle, Dr. Wardle, his daughters Bella and Emily, his spinster sister Rachael, Samuel Weller, Job Trotter, and the landlady Mrs.Nor is that list, certainly applicable to our contemporary scene, intended as a precis of a novelist’s coming preoccupations.is, ultimately, about character—even as, occasionally, professions such as the law or medicine come down (or up!Bardell, not to mention those two shady lawyers Dodson and Fogg, and that shrewd master of realpolitik, the lawyer Perker.Samuel Pickwick, we all know, survives crooked lawyers and even, it seems, the temptations of love.) to that: how so-called practitioners skirt various temptations (or fail to do so); and how a certain lawyer or doctor justifies his work, comes to terms with his perceived obligations, responds in mind and heart to the hurt, the vulnerability, the alarm if not panic of his clients, his patients.Even as in we see George Eliot trying to comprehend the fate of Dr.He retires to the country with his servant Sam Weller for a long and restful life.Dickens, on the other hand, with the publication of Pickwick Papers in book form (1838), had ahead of him more than 30 years of demanding labor.Even in Dickens’ lifetime, some of the tedious, if not outrageous aspects of London’s Chancery Court had succumbed to reform.And, too, Dickens knew when he wrote that the very Marshalsea Prison he described (and knew as a young inmate) no longer was the giant debtors’ world of old, filled with entire families whose crime was an inability to pay their bills.

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