Counterculture 1960s Essay

Counterculture 1960s Essay-90
The Beat Generation joined the now ubiquitous pool of alt-everything in the 1950s.Prior to then other authentic literary and social movements were embraced by enough people to make the art-of-the-alt-deal make sense.

The Beat Generation joined the now ubiquitous pool of alt-everything in the 1950s.Prior to then other authentic literary and social movements were embraced by enough people to make the art-of-the-alt-deal make sense.Our editors will review what you’ve submitted and determine whether to revise the article.

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Hippies advocated nonviolence and love, a popular phrase being “Make love, not war,” for which they were sometimes called “flower children.” They promoted openness and tolerance as alternatives to the restrictions and regimentation they saw in middle-class society.

Hippies often practiced open sexual relationships and lived in various types of family groups.

They commonly sought spiritual guidance from sources outside the Judeo-Christian tradition, particularly Buddhism and other Eastern rock music were an integral part of hippie culture.

Singers such as Bob Dylan and Joan Baez and groups such as the Beatles, Grateful Dead, Jefferson Airplane, and Rolling Stones were among those most closely identified with the movement.

The essay strengthened the movement and battled intellectual stasis.

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The branding phenomenon in its sociological, alt-everything context, is a dialectical exercise.Nonetheless, hippies continued to have an influence on the wider culture, seen, for example, in more relaxed attitudes toward sex, in the new concern for the environment, and in a widespread lessening of formality.(1957), Carlo Marx confides to Sal Paradise (Kerouac) that he is worried about what the future holds for himself and his friends—writers and artists who have positioned themselves outside the 1950’s mainstream. In a sobering example of capitalism at work, Allen Ginsberg— Marx in the novel—blossomed into a wildly popular voice known worldwide and sold millions of books in his lifetime.Everything people are capable of imagining is vulnerable to its pressures. Theological brands fought over like cheap thongs in a Wal-Mart bargain bin.Jesus was first and foremost a revolutionary opposed to Herod’s abuses, alienated, suffering between his ears.To a nation on the brink of civil war, their progressive ideas challenged authority—slavery was wrong, disobedience was an antidote to meddlesome governance; the interior life and the quest for peace were important aspects of existence.Coaxed on by the best their publishers could muster, public relations won. An important movement became—prior to the word entering the American lexicon—branded.Hippie, also spelled hippy, member, during the 1960s and 1970s, of a countercultural movement that rejected the mores of mainstream American life.The movement originated on college campuses in the United States, although it spread to other countries, including Canada and Britain.The collective voice of a generation, embodied by Ginsberg, Kerouac, William Burroughs, et al, emerged as a cultural alt-brand by design.Capitalists, who recognized the writers’ talents and potential value, activated a standby method to exploit them.

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