Even after her verbal, and quite possible physical abuse, 17 lines pass before he even acknowledges her presence "How now, Ophelia! YOU ARE READING Non-Fiction English essays for people who need ideas, or who are stuck writing boring essays for school and are unsure of what to write.Tags: Haas Application EssaysCreate A Thesis OutlineAdvertising Assignment For StudentsCreativity EssayHow To Start A Creative Writing StoryWriting Empirical Research PapersMobile Food Business Plan TemplateWords To Use In DissertationGlobal Warming Assignment
She retreats into madness and eventually takes her own life.
To her father Polonius, Ophelia assumes the role of a "green girl" (101), a vehicle through which he can gain the favor of the King.
In their absence she cannot function, so she becomes mad.
She is a shape-shifter who takes on whichever identity is thrust upon her by any male figure.
Anger, a reaction to the insanity of the world, can be viewed as a microcosm of madness.
We also have obsessions and compulsions deviating from the normal."(136-138) and "tender (him) a fool"(109) and because she is completely obedient, she complies to his wishes.After Hamlet accosts his daughter while she is sewing, Polonius' concern fades quickly when he determines that he can gain through her unfortunate situation "Come, go we to the King/This must be known; which, being kept close, might move/More grief to hide than hate to utter love"(II.i.117-119.She is consumed by the whirlwind of mixed emotions and commands given to her by Hamlet, Laertes and Polonius.With her lover's banishment, her brother's residence in France, and her father's murder she is left with only silence.When she at last finds love, he forbids her to entertain it, fearing that it will reflect badly upon him "...Or given my heart a winking, mute and dumb;/Or look'd upon this love with idle sight-/What might you(Claudius) think?He sets up an encounter between her and the already mad prince to prove his loyalty to the crown, heedless to the fact that she could be harmed."Ophelia, walk you here.../We are oft to blame in this:/ ' Tis too much prov'd, that with devotion's visage/ And pious action we do sugar o'er/ The devil himself"(III.i.43-49). Psychology and literature both try to explain unusual behavior, and the term "madness" seems to be a particularly useful tool in discussing certain literary characters.Strange, abnormal and deviant actions of literary characters offer an indispensable resource for investigating personality. ) are still baffling, open to semantic debates, and laced with relativity.