First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928.While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled "Women and Fiction", and hence the essay, are non-fiction.
First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928.While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled "Women and Fiction", and hence the essay, are non-fiction.Tags: Thesis On Switched Reluctance MotorBiographical Narrative EssayExamples Of Argumentative Essays TopicsWrite A Phd Thesis In A MonthForeign Affairs Student Essay 2012 WinnerPersonal Values StatementBusiness Plan Design TemplateReview Of Literature On Financial Performance
These conditions—leisure time, privacy, and financial independence— underwrite all literary production, but they are particularly relevant to understanding the situation of women in the literary tradition because women, historically, have been uniformly deprived of those basic prerequisites.
In her exploration of this idea, Woolf launches a number of provocative sociological and aesthetic critiques.
A Room of One’s Own, by Virginia Woolf was first published in 1929.
This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.
Shifting back and forth between literary criticism, personal memoir, historical inquiry, and witty and imaginative anecdotes, Woolf brilliantly blends multiple genres to craft a masterful feminist critique of art, literature, and the social position of women in general.
Woolf explores female oppression through the ages and concludes that a female version of Shakespeare has not surfaced because the historical subjugation of women has prevented such an occurrence from happening.Woolf is careful to acknowledge the unmeasured and immeasurable value of the labor women have traditionally done.Yet she also projects a future in which women will have access to all kinds of careers.She notes that girls in middle-class families are routinely expected not only to give up their own chance of obtaining an education so that males can be educated, but also to economize so the family can pay males's tuition, give them ample spending money, and send them on "grand tours" of Europe.Woolf notes too that women are much less likely to have a "room of one's own" than men, and argues that such private space is necessary to the creative process.She decided to focus on the former but inevitably some aspects of the latter must be addressed.Woolf guides the reader through the works of some great English women writers—Jane Austen, the Brontes, George Eliot—with the goal of renewing or reinvigorating our understanding of and admiration for them.Just as Woolf speaks out against traditional hierarchies in the content of her essay, so, too, does she reject standard logical argumentation in her essay's form.Woolf innovatively draws on the resources of fiction to compensate for gaps in the factual record about women and to counter the biases that infect more conventional scholarship.Most famously, Woolf describes the conditions necessary for a woman artist to unleash her full potential: privacy (a "room of one's own"), and money (self-sufficiency).Woolf argues that, if women are to explore their artistic potential, they must be allowed to pursue these basic necessities.