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The social commentary of Fahrenheit 451, alternately anti-utopian, satirical, and optimistic, transcends simple universal statements about government or world destiny to underscore the value of human imagination and cultural heritage.
Within this context, Fahrenheit 451 addresses the leveling effect of consumerism and reductionism, focusing on how creativity and human individuality are crushed by the advertising industry and by political ideals.
Traditionally classified as a work of science fiction, Fahrenheit 451 showcases Bradbury's distinctive poetic style and preoccupation with human subjects over visionary technology and alien worlds, thereby challenging the boundaries of the science fiction genre itself.
The novel concludes with Granger's sanguine meditation on the mythological Phoenix and a quotation from Book of Ecclesiastes.
Major Themes Fahrenheit 451 reflects Bradbury's lifelong love of books and his defense of the imagination against the menace of technology and government manipulation.
Beatty's monologue establishes that the firemen were founded in 1790 by Benjamin Franklin to destroy Anglophilic texts.
Beatty also claims that book censorship reflects public demand and the naturally occurring obsolescence of the printed word, which has been supplanted by the superior entertainment of multimedia technology.
The scene closes with Beatty's exit and Montag among his books, professing his intent to become a reader.
The second and shortest part of the novel, "The Sieve and the Sand," continues Montag's progressive rebelliousness and ends in his inevitable discovery.
Through conversation with Granger, the apparent spokesperson for the book people, Montag learns of their heroic endeavor to memorize select works of literature for an uncertain posterity.
Safe in their wilderness refuge, Montag and the book people then observe the outbreak of war and the subsequent obliteration of the city.