Literature Review Essay Cold War

Literature Review Essay Cold War-63
more Nahoko Uehashi et Noriko Ogiwara « Le Cycle de Terremer et nous : la succession de la littérature de l’imaginaire », Akemi Tanigaki « Mme Le Guin à l’été de la Saint-Martin », Haluna Ikezawa « Les mots des dragons », Mari Kotani « Le poète voyant », Yoshio Nakano « De l’Elfland au Cycle de Terremer », Moto Hagio « L’éternelle Le Guin », Yumiko Shirai « Le Guin, la femme pionnière », Hajime Oowada « La Main gauche de la nuit, qui a bouleversé le monde », Hajime Yokota « L’absence de passages à Rer », Shitone Sakamaki « Dialogue spéculatif entre Le Guin et Donna Haraway », Satoko Kono « Sur les dépossédés », Ryu Itose « Autour des romans utopiques d’Ursula Le Guin », Masako Shimizu « Les promenades dans le Cycle de Terremer », Ritsuko Sambe « L’évolution du Cycle de Terremer », Mayako Teramura « L’ange sauvage », Hiroko Taniyama « Cœur de jeune fille dans les Tombeaux d’Atuan », Sayuri Ueda « À propos de la marche sur le chemin différent au même endroit », Noboru Yasuda « Un acteur Nô, lecteur du Cycle de Terremer », Marie Sato « Les noms, les ombres et les retours chez Le Guin », Yui Tanizaki « Le petit univers et la colère », Ai Nishida « Belle histoire fausse », Hikaru Fujii « Le Guin et l’époque de la créativité », Hanako Takayama « Romance », Yu Okubo « Le Guin, les dernières années », Masayuki Tsuda « Le Guin et la littérature mondiale », Kyoko Nakanishi « Le Guin et le rêve de la République des lettres », Yasuhiro Katsumata « Histoire infinissable de Lavinia », Dohjin Miyamoto « Les traductions japonaises d’Ursula Le Guin ».This essay develops a reading of Bùi Anh Tuấn’s Ian Fleming–inspired Specter over Red Square (Bóng Ma trên Công Trường Đỏ).The play focused on the progress of the training that young Pavlo Hummel received.

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War and tourism have generally been viewed by scholars as mutually incompatible.

Nevertheless armies charged with prosecuting warfare have often indulged in tourist-like activity as soldiers are given opportunities to travel and...

This wasn’t only a conflict between ideological clashes or...

more Abstract The Vietnam War, which started on March 15, 1965 and ended as a twist of fate on March 15, 1973, was one of the bloodiest confrontations of recent Vietnamese history.

more One of the most recurrent tropes in the US fiction emerging out of the experience of the War in Vietnam is the description of the feeling of estrangement of the soldiers.

Thrown into a hostile and inscrutable landscape, deprived of the tools —linguistic or cultural—to read the geographical and human landscape, most returning veterans refer their feelings of alienation and constant fear in a territory which embodied the proverbial “wilderness” of the Puritan experience all over. Home Possessions: Material Culture Behind Closed Doors. This is this year's (2017-18) syllabus for my Vietnam War course at SOAS (London).Additionally rather than adhering to the rigid definition of tourism as an activity outside of obligated work, this paper calls for a broader understanding of the orthodox definitional paradigm.Although at work soldiers have throughout history syncretised tourist activity with their military commitments.This opera, based on the 1898 short story by John Luther Long, tells the tragic story of a young Japanese geisha and her American naval officer lover, who fathers her child before returning home.As one of the most frequently performed operas, Madama Butterfly has interested a variety of artists, spawning a long list of adaptations from an assortment of mediums including plays, musicals, movies, comic books, and even rock band albums. Butterfly (1988) and Alain Boublil and Claude-Michel Schönberg’s Miss Saigon (1989), are of particular interest for retelling the story of Puccini’s opera in unique ways through different theatrical mediums.Both shows opened, and also had revivals, around the same time.In fact, in the fall of 2017, one could see both Miss Saigon and M.This wasn’t only a conflict between ideological clashes or nations, this was a conflict within the lives of young people and naïve souls.David Rabe was a veteran who joined this war and re-explored the conflicts in Vietnam through Pavlo Hummel, a young and “juvenile” American soldier who “got no beard, no ways to shave” (49, Rabes).Regardless, it remains one of the most commonly performed operas and has spawned successful artistic endeavors such as Miss Saigon and M. In this paper I hope to examine these two adaptations and their 2017 productions against Puccini’s original work in order to elicit a greater understanding about the possibilities and practices of adapting problematic storylines for contemporary audiences.Nahoko Uehashi et Noriko Ogiwara « Le Cycle de Terremer et nous : la succession de la littérature de l’imaginaire », Akemi Tanigaki « Mme Le Guin à l’été de la Saint-Martin », Haluna Ikezawa « Les mots des dragons », Mari Kotani « Le...

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