Most of them, unfortunately, trust in Iago's honesty; this leads to the downfall of many characters, as this trust in Iago's "honesty" became a crucial contributor to their undoing.
Iago's battle against Othello and Cassio certainly counts as an embodiment of this theme.
Iago and his evil battle to corrupt and turn the flawed natures of other characters, and he does succeed to some extent.
His flaws are easily manipulated, and he is unable to see the truth while blinded by pride.
He is a good soldier and a good man, but this good is twisted and he commits an evil act.
Even with such, many different racial slurs were used by protagonists to degrade him. He uses the phrase in Titus Andronicus to depict the biracial kid of the Moor, Aaron. Iago, out of green-eyed monster, calls Othello names behind his dorsum and still with all this.
In Act I, Scene I, Iago, the scoundrel in this drama and at the same clip the right manus adult male of Othello, is shouting to Desdemona? even now, now, really now, an old black random-access memory is tupping your white Ewe? Moor is another term often used to place those darker skinned people. Brabantio goes every bit far as impeaching Othello of witchery. Iago is really cagey in doing Othello vulnerable to his word. s use to Othello is ne’er specified to be race related although racial slurs are what he invariably repeats. This is grounds that leads me to believe that if Shakespeare would non hold made Othello of the same race as the remainder of the characters the secret plan of this narrative would hold remained the same and it would hold flowed merely every bit good. Othello on the other manus is of higher position than many of his equals in the drama. It is rather obvious from the beginning of the narrative that Iago is bewraying Othello. With or without Othello being a Moor the result of the drama would hold worked every bit good. ( Shakespeare 1065 ) Two-faced Iago besides flourishes Desdemona with his congratulationss. He even goes to the extent of converting his married woman to steal a hankie from Desdemona and so made it portion of his strategy. But even holding all of this authorization Othello is however an foreigner and he is really much aware of this. However racial pigeonholing instead tham simple division between Venetian and non-Venetian does surface in Othello. s audience black people were identified with witchery and other non-Christian superstitious notions. This was different for Shakespeare to show a minority individual with such authorization as a chief character. ( Shakespeare 1050 ) is mentioned in this drama towards Othello but is non the first clip Shakespeare uses it. Name-calling, which is how I describe what Iago was making throughout the drama, is a common manner of seeking to degrade person even in today? You try to happen something in your opposition that distinguishes him from yourself and the people who defend you and you use this to interrupt down their regard. ( Shakespeare 1068 ) is doing himself out to be a loyal friend in her eyes everyone is easy influenced by Iago. Neither Roderigo nor Desdemona are different in colour Quintana -3- skin color for Iago to lead on them but he does anyhow. Othello tells us this in Act I, Scene III when he mentions his soldier of fortune at a? Brabantio accuses Othello of witchery, stating that the Moor must hold used? Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative.This also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.Misrepresentation allows Iago to gain trust and manipulate other people; he is able to appear to be "honest," in order to deceive and misdirect people.Although the word "honest" is usually used in an ironic way throughout the text, most characters in the play go through a crisis of learning who and who not to trust.Othello is charged with using magic to woo Desdemona, merely because he is black, and therefore, "pagan." Yet, Othello does have real magic, in the words he uses and the stories he tells.Magic also reappears when Desdemona's handkerchief cannot be found; Othello has too much trust in the symbolism and charm of the handkerchief, which is why the object is so significant to him.Race is an extremely important theme, as it leads to Othello's insecurity, which Iago is able to manipulate.Despite his standing and military prowess, Othello never feels comfortable in Venice because of his otherness.