This can create a level of empathy with the audience.
Piccinini is attempting to get everybody to question or think about the consequences of biological engineering.
Should we do something just because we are capable of doing it?
The babies could be a sign of the characteristic and similarities we as humans have with the creature, as we both nurture our offspring.
It’s invigorating because it isn’t another business-as-usual record of a museum playing it safe with crowd-pleasers such as the Impressionists or Andy Warhol, but rather a lively demonstration of a museum engaged with the primordial dark side of the human psyche.
It’s disturbing for the same reason, and it’s meant to be.Patricia Piccinini was influenced by the current research into biological engineering and cloning that is being done by scientists.Her artworks also contain a dreamlike quality and have ties with surrealism.As Scala remarks in his introductory essay (which bears the same title as the exhibition and book), “If our inner beings are combinations of reason and instinct, traits we often think of as distinguishing human from animal, then fairy tales and other fantastic representations can close gaps within ourselves, and between us and the world.” The many artists represented in this beautiful catalog help us close the gaps by leaping imaginatively across them as if they didn’t exist.Scala argues against notions of human exceptionalism that would prevent such gambols.The Framework consists of four agencies; artist, artwork, world and audience.Each of these agencies describe and integral aspect of an artwork.She was inspired by the idea of the ‘artificial’ world merging with reality and her own personal fantasy of what the future will become if we continue to progress in biological engineering.‘The Young Family’ portrays Piccinini’s own fantasy world of a type of hybrid that crosses a human with the genetics of a different species.They range from the aggressor in to that montage of corpses cobbled together by Victor Frankenstein to our current favorites—vampires, zombies, and serial killers.Sometimes monsters can barely be distinguished from angels, as in the hilarious UFO abduction stories that, like go-go boots, had their faddish moment and still occasionally show up at parties.