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Let the subject be what it will - pollution, death, war …
An American writer, filmmaker, philosopher, teacher, and political activist, Susan Sontag is a singular phenomenon and an icon of American culture criticism.
She is remembered as an author of inquisitive, analytical, fearlessly outspoken essays, but also short stories which dealt with those ideas and preoccupations she couldn’t address in essay form.
Through this approach, he tries to define the differing styles and sensibilities that make those subjects appear both definably similar and infinitely different in a photograph.
Clever, provocative, witty and shrewdly on the nail, the book ads superbly to the canon of fine writing on photography.
The forming image is sharp, trenchant - a good picture; but it isn't exactly the photo you had in your head.
Photography's inferior but inexorable version of reality is the bases of On Photography.Sontag discusses in the six essays not only the philosophical question of how reality may be perceived and knowledge gained, but she also reviews photography in its context: as a tool, an industry, an activity that "imposes a way of seeing" and therefore, actually alters reality.Sontag sees that photography, leveling everything, also beautifies.The books reveal that photography does more than record the world – it shapes and changes every aspect of our experience of it.In addition to around 300 images, this must read book features almost 100 engaging short texts commissioned from experts, writers, inventors, public figures and others—from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others.Having take hundreds of photographs in Southeast Asia, crying with camera on the evils of hunger and poverty, I agree.My photographs of India, for example, and the intense suffering I witnessed, are some of the most lovely I have. To take a photograph, Sontag writes, "is to appropriate the thing photographed." This concept of getting-in-order-to-use-up is important in understanding photography's function.An American curator and writer, Marvin Heiferman has been focusing on the impact of photographic images on art, visual culture, and science for museums, art galleries, publishers and corporations.He has authored or edited over two dozen books about art, photography, visual culture, and cultural history.Drawn from the online Smithsonian Photography Initiative, the book Photography Changes Everything edited by Heiferman explores photography’s impact on our culture and our lives.This provocative rethinking of the subject touches upon the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world.