This is why Lionel keeps probing into Bertie’s past: to force Bertie to confront the wounds of his childhood and then find the courage to move past them.
This is why Lionel keeps probing into Bertie’s past: to force Bertie to confront the wounds of his childhood and then find the courage to move past them.Bertie describes a childhood filled with pain and abuse: taunts for his stammering; an epileptic brother hidden away as an embarrassment; an abusive nanny; painful splints to correct his knock knees; and an unloving father demanding that Bertie live up to overwhelming expectations.He then reveals the loneliness and isolation he has had to endure as a part of the Royal Family: As Lionel and Bertie rehearse the coronation ritual, Lionel enrages Bertie by sitting in the chair of Edward the Confessor. With Lionel’s help, he has confronted his fears, found his courage and his truth, and will now be able to achieve his goal of giving a magnificent speech, and to live his destiny as a great leader.Tags: Rules For Long Quotes In EssaysHealth Law And Ethics EssayEssays On Post Traumatic Stress DisorderHow To Solve Computer Restart ProblemCommercial Research PaperResponse To Literature Essay 4th Grade
To create an emotionally involving and commercially successful screenplay, you must give your hero some compelling desire he or she is desperate to achieve. And if you want to take your character through an arc – to show some transformation in the protagonist – he must overcome some deep emotional fear. So to make it credible that your hero can achieve both what he wants and what he or she needs, you want to give him some help in the form of a reflection character.
This is my term for the character who is most closely aligned with your hero – the best friend, partner, mentor or spouse whose primary function is to help the hero achieve the outer motivation and to urge the hero toward transformation.
Like Shrek and Donkey, Will Hunting and Sean, or Mattie Ross and Rooster Cogburn, Bertie and Lionel confront and argue with each other far more than they get along.
This reveals two other principles for creating a powerful reflection: At some point in the story, the hero MUST reject the reflection character completely; and ultimately the reflection must remain loyal to the hero in spite of this hurtful rejection until the hero returns and aligns with the reflection once again.
Either way, the reflection character’s primary goal is to help the hero achieve the outer motivation.
Reflections who are teachers are usually introduced after the beginning of the story – often around the first key turning point: the 10% opportunity.The book's eleven essays are divided into three parts.The first part introduces the volume and discusses the three topics in the thought of Philodemus and Plutarch.This allows the reader and audience to become acquainted with the reflection as the hero does, rather than having to fill in the blanks of an existing relationship, as with a “best friend” reflection who has been aligned with the hero for some time.We first meet Lionel Logue when Bertie’s wife, Elizabeth, approaches Lionel.He is one of Hollywood’s top script consultants and story experts, and he has consulted on projects starring (among many others) Will Smith, Morgan Freeman, Julia Roberts, Tom Cruise and Reese Witherspoon.Like many adults, you may be a reluctant public speaker. Otherwise, you wouldn’t have been asked to give a speech honoring this friend.Such a character is beautifully illustrated in David Seidler’s award-winning screenplay for The King’s Speech.Speech therapist Lionel Logue embodies all the characteristics of an effective reflection to the film’s hero Bertie (later King George VI). Miyagi in the earlier version), or Sean in Good Will Hunting, Lionel is there to instruct the hero and to encourage him to face his fears in order to accomplish his outer motivation in the script: to give a speech without stammering.The volume will be particularly useful to NT Scholars, classicists, and modern theologians and ethicists who are interested in the theory and practice of friendship in antiquity. ' ..scholar interested in the letter to the Philippians dare overlook this book.' Edgar Krentz, Theology and Mission.' These essays will interest not only Ntscholars, but also those in patristics, philology, philosophy, theology, and ethics…This is an excellent introduction to important ancient documents, the secondary literature that has developed, and interpretive method.