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In Emily Brontë’s Wuthering Heights, Heathcliff’s obsession with love, revenge, and status is a prominent theme that eventually causes the characters’ downfall.The theme obsession of love is evident throughout the novel.
Encouraging Hindley to gamble and drink, Heathcliff's wishes begin to take holdas Hindley must give up Wuthering Heights due to gambling and Heatchcliff takes it away.
Hindley passes, "true to his character: drunk as a lord" (160).
A multitude of feelings and sentiments can move a man to action, but in Emily Brontë’s Wuthering Heights, love and revenge are the only two passions powerful enough to compel the primary actors.
There is consensus, in the academic community,1 that the primary antagonist in the novel, Heathcliff is largely motivated by a wanton lust for vengeance, and it is obvious from even a cursory reading that Edgar Linton, one of the protagonists, is mostly compelled by a his seemingly endless love for his wife, and it even seems as if this is reflected in the very nature of the characters themselves.
In the methodical way onlyknown by a man incensed with an unfulfilled love, Heathcliff moves on to take revenge onthe man most responsible for his unhappiness, Edgar Linton.
After becoming rich and Do you feel that Wuthering Heights celebrates the perfect love between Catherine and Heathcliff or do you see their love as deeply flawed?Both Lord Byron and Mary Heathcliff's life to be products of his nurture, his nature has to be taken into account too.When he imprisons Cathy and Nelly Dean in Wuthering Heights so he can gain control over Thrushcross Grange he may be acting to get revenge, but this is not the only possible way; when he marries Isabella out of spite, it was unnecessary- it seems that Heathcliff's nurture has highlighted an evil side to Heathcliff that lies quiescent at first. First of all, there is Heathcliff, a pitiful man driven by his obsession for Catherine and revenge.The main characters, Catherine and Heathcliff, show these actions time and time again.They occur because of the other, much like the yin and the yang. In Wuthering Heights, there are two different types of love shown: platonic caricature of an evangelical, may have been inspired by her aunt's religiosity.For proof of this, one needs to look no further than his actions toward Hearton Earnshaw over the course of the Heathcliff’s tenure as master of Wuthering Heights: Heathcliff literally spends most every waking moment reveling in and furthering his domination and maltreatment of Hearton to stick his thumb in the eye of Hindley.While an argument could be made that, Heathcliff's actions toward Cathy are an attempt to win back her favor after being spurned, one would need to look no further than Brontë’s description of Heathcliff’s “mourning” to see how truly and fundamentally wrong this argument is.There can be no question as to the motivations of Heathcliff for the vast majority of the book, as he is quite clearly obsessed with revenge (Which is nothing unusual in Wuthering Heights2) , be it against his adopted sister Catherine Linton (for denying him her love), his adopted brother Hindley Earnshaw (for years of abuse), his archrival and, to an extent, foil Edgar Linton (for marrying the woman he loved), or the children of these three.To state it in a simple manner, no actions of Heathcliff (with the exception of moments in his childhood, which can easily be discounted due to his young age) can be considered the result of any emotion that is not anger and indignation.We at first sympathize with him, when we see Hindley mistreating him and his undying love for Catherine and when she turns him down for Edgar we see a huge transformation in our dear Heathcliff.We see his plan of vengeance begin to unfold and your feeling soon change.